How the 1971 Artist's Contract previewed A-Corps
In 1971 conceptual art dealer Seth Siegelaub and lawyer Robert Projansky collaborated to create a new contract for the purchase
Artist Corporations
A new structure for creative work
What's the difference between an artist and a creator?
In 1973, experimental filmmaker Hollis Frampton wrote a letter to MoMA that captures a paradox that still defines creative work
Do artists get paid for making art?
Artist Corporations are important not just as a legal structure, but as a concept that redefines creative output as real
A-Corp tour diary
The past week I’ve been on the road, giving talks and speaking with artists, creators, and community and political
We are the 48% (A-Corp update #3)
The common perception is that artists and creative people are a small slice of the population. But how true is