Kickstarter was launched in 2009 — not by a computer science major or an MBA, but by an artist, a designer and me, a music critic. Arts and culture were important to us and we thought a lot of other people, too. It took off.
When a Washington Post headline a few years later declared "Kickstarter raises more money for artists than the NEA,” I felt both humility and apprehension. We were mentioned in the same breath as the National Endowment for the Arts, an organization whose mission we admire deeply. But I worried our success might be seen as an argument that the private sector alone should address arts funding.
Read in full: Published as an Oped in The Hill